Turntablist, sound artist, performer, composer and visual artist. Instruments: saxophone, live-electronics, flutes, percussion, found objects.
In his youth he studied the saxophone and performed in free jazz and avant rock bands. At the same time he was getting obsessed with multitrack tape machines, record players and effect boxes and he started experimenting with many different instruments and sound making devices. After college he briefly studied at the Academy of Fine Arts in Munich and worked for several years as an assistent for contemporary composer Josef Anton Riedl.
Since 1995 he lives & works in Berlin where he became an active and integral force of the so-called "Berlin Nouvelle Vague" and the blossoming "experimental" music scene. He has been also prolific as curator (Festival für Andere Musik, Erase & Reset, Time Shifts, TITO, Echtzeitmusiktage 2010, ...) and runs the experimental music label Zarek.
Schick has toured worldwide solo or with groups like Perlonex, Phosphor, Berlin Sound Connective, Nighthawk Kitchen, Tree People, Splitter Orchestra, Ilog and many more (...). He has released music on several labels like Absinth, Boomslang Records, Charhizmha, Irrah, Le Petit Mignon, Mikroton, Nexsound, Non Visual Objects, Potlatch, Staalplaat and his own imprint Zarek and collaborated with more than a hundred international sonic artists - amongst others with Mwata Bowden, Don Cherry, Douglas Ewart, Sven-Ake Johansson, Paul Lovens, Toshi Nakamura, Charlemagne Palestine, Andrea Parkins, Keith Rowe, Akira Sakata, Matthias Spahlinger or Martin Tetreault. In parallel to his experimental music and performance practize he has been making sound installations, experimental objects, visual collages, text scores, concrete poetry, graphic scores and drawings.
Since 2012 he focusses on conceptual composition and experimental radio pieces. In parallel he has started several new projects with a younger generation of Berlin experimentalists (Ilog, Yemen Breakfast, Radio Nightmares, Hawking, Overdue, KUDU, …). He also frequently collaborates with Emilio Gordoa, Nicola Hein, Achim Kaufmann & Christian Lillinger and has founded the 9-piece workshop ensemble Circuit Training (w/ Tom Arthurs, Benjamin Weidekamp, Eliad Wagner, Marta Zapparoli, Achim Kaufmann, Klaus Kürvers, Emilio Gordoa, Alexandre Babel) which focusses on the realization of conceptual graphic & verbally instructed scores. For 2017 he has received two different travel & research stipends for South-East-Asia and Los Angeles for writing new pieces and researching the local scenes.